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  • THE PLANT CAFÉ ORGANIC - DOGPATCH

    SAN FRANCISCO THE PLANT CAFÉ ORGANIC - DOGPATCH SAN FRANCISCO Revitalizing the exposed brick and timbers, original sash windows and concrete floors of this space in the storied 1915 American Can Company sets the backdrop for this location of The Plant Café Organic. At the heart of the Dogpatch neighborhood, the ACC complex was originally dedicated to manufacturing but has evolved into an epicenter for designers, artists, makers, culinary businesses and cultural spaces. Studio BBA’s design approach focused on creating integral outdoor spaces and connections to surrounding businesses. By cutting a new opening through the rear brick wall, we introduced access to the existing courtyard patio, now framed by a beautiful custom mahogany door. An enormous ceramic planter and palm add greenery, and a new window into the adjacent bakery adds interconnectivity. Inside, custom steel and maple shelving and tables, dimensional Heath Ceramics tiles, and truly awesome carnivorous plant-themed wallpaper enliven the space. This café adjoins The Plant Café Organic’s ‘mother ship’ facility, which they affectionately refer to as “the plant of The Plant”—the central kitchen where new and seasonal creations are developed, provisions are prepped and distributed, and their catering operation is housed. The café’s adjacency to this facility lends the atmosphere a tone of inspiration and invention. Back to Projects page Client The Plant Caf é Organic BBA Team Seth Boor Bonnie Bridges Megan McGuinn Size 2,400 SF Contractor Justin Farrelly, Inc. Collaborators Structural: Degenkolb Photography Nicholas V. Ruiz Back to top

  • DREAMING BIG WITH GROUND

    OAKLAND DREAMING BIG WITH GROUND OAKLAND We often have clients find us through the myriad of hospitality projects that we have done over the years . . . where people connect the dots of their favorite Bay Area places (and their ability to foster deeper human connections) back to us. It is endearing and humbling and sometimes surprising, as is the case with these speculative projects for Binta Ayofemi and her non-profit, Ground. Over the course of two years, we worked with this artist to create the master plan, the collages and the architectural backbone for her ambitious artistic vision. You can see the results of one such project at Commons in Oakland. The others live on as dreams for a fairer future in which the flow of global capital emerges from the ground where ideas are born. Back to Projects page Client Binta Ayofemi, Ground BBA Team Bonnie Bridges Anand Sheth Vishnu Balunsat Size Varies Contractor Unbuilt Collaborators Binta Ayofemi Photography None Back to top

  • EQUATOR LARKSPUR

    LARKSPUR EQUATOR LARKSPUR LARKSPUR This Equator location is simple in intent—we designed a café that characterizes the balance of laid back and active lifestyles in Larkspur’s community. Modeled after a functional bike shop, the interior features industrial fixtures, practical storage shelves and a pegboard wall to hold tools of the trade. The café sits amidst Magnolia Avenue’s recently upgraded plazas, and is a major draw that has contributed to the area’s resurgence of activity. Magnolia is a charming and historic retail environment—walkable to downtown and accessible to the myriad outdoor activities for which the North Bay is known, including Marin County’s expansive web of bike trails. A huge, custom-made wood map of Marin—10’ high by 20’ long—includes topography and bike paths to help customers orient themselves and discover new adventure routes. Back to Projects page Client Equator Coffees BBA Team Bonnie Bridges Sarah Fucinaro Size 625 SF Contractor ACI Collaborators MEP: MHC Engineers Structural: Barringer Design Topo Sign: R.B. Morris III Photography Nicholas V. Ruiz Back to top

  • PAJARO DUNES HOUSE

    WATSONVILLE PAJARO DUNES HOUSE WATSONVILLE We’ve worked closely with this client over a number of years to create and implement a thoughtful, site-specific design vision for rejuvenating this coastal vacation property, where their extended family congregates. Built right on the sand, this 3-story mid-century house was originally designed by Walter Thomas Brooks—with a futurist upside-down pyramid conceived of as a spaceship landing in the dunes. Its unconventional form, simple materials and proximity to the ocean left the structure a victim of erosion, corrosion and water drainage issues. We began with a big picture, phased master plan to address the conservation and preservation issues in tandem with renovations, and a design strategy that always considers the Brooks’ iconic detailing, the era and the beach atmosphere (both physically and conceptually). Durability is also an integral criteria—to weather the elements, as well as active family use and large gatherings. The new material palette references the surrounding landscape with a base of earthy tones and pops of vibrant colors—in lava stone, mahogany, bronze, copper, integral color plaster. We introduced a custom brown-gray color on the exterior to offset the bright beach environment and new landscaping; identified by observing the variety of hues and surfaces on site throughout the year. Inside we developed the design room by room—embracing the charm and history of existing elements, and using the perspective of time to ensure the right blend of lasting solutions. Kitchen cabinet doors were rebuilt in place using a custom distressed stainless steel panel, mahogany rails and new hardware. The custom blackened steel, LED fixture was designed to relate to the ceiling’s existing beam pattern. The interiors scope included custom window treatments, pillows, linens, rug and upholstery. On the lower level we renovated the bathroom with a door to the outside, where the sunken patio with new outdoor shower greets the family’s return from the beach; discreetly screened by a custom mahogany gate with louvers. Continual hand-troweled wall plaster runs from the outside in, enhancing the connection. A wall garden of stainless steel and felt is soon to be installed—made in BBA’s Cedar Alley workshop—as well as new planter boxes we designed to reference an original, unbuilt design by Brooks. Back to Projects page Client Confidential BBA Team Bonnie Bridges Seth Boor Size 2,500 SF Contractor Steve Munson Hagen Colbert, Inc. Collaborators Interiors GC: Nick Sandman Construction Photography Studio BBA Back to top

  • THE MILL PARKLET

    SAN FRANCISCO THE MILL PARKLET SAN FRANCISCO Solidity, simplicity and safety were the drivers of our design for this outdoor public space at The Mill , our third contribution to San Francisco’s Pavement to Parks Initiative . The parklet creates a protected place of pause along the dense, busy corridor of automobile traffic and a solid anchor in contrast to the bright and clean interior of The Mill . Its walls are constructed of vertical heavy timber and tied together with continuous steel banding along the top edge; its floor is edged and divided by the same heavy timber members and infilled with sand-set brick pavers. Three large, heavy planters bookend the parklet’s two internal spaces: an open area of bench seating and tables with more refined materials, and an area with vertical bike parking based on the racks at our Four Barrel parklet on Valencia Street. Back to Projects page Client The Mill BBA Team Seth Boor Bonnie Bridges Size Contractor Roman Hunt Collaborators Photography Studio BBA Back to top

  • PACIFIC

    SAN FRANCISCO PACIFIC SAN FRANCISCO We began working with this client in early 2011 on a two-phase renovation of their property—a multi-unit residence located on an amazing site at the top of Pacific Heights. Phase One addressed two priorities: mending systems and detailing from previous work performed at the time of purchase, and creating a new, south-facing, garden apartment from a former storage space. An additional benefit of this clean-up phase was that it allowed us in-depth time to get to know the building and the client. After that initial mending was underway, we dove into the more substantive transformation of the property, to make it into the place the clients had envisioned at first sight. While they were tempted to continue on a path of phased work, the team stressed that the design and construction process would be stronger and more efficient if we tackled it holistically, in order to achieve the desired quality throughout the five-story structure. And so it was. A complete gut and redesign of the top two floors—the owners’ unit—enabled us to create a home worthy of its address: an elegant entry, large, formal entertaining spaces, a gourmet kitchen, family room, library and roof decks. Throughout the process, the words semi-formal , elegant and comfortable guided our decisions. The building facades received a complete face lift of integral color Italian plaster, restored terracotta keystones and new lighting. The formal front garden and cobblestone driveway complete the picture. A few months prior to completion, a strange twist of fate required our clients to relocate to London for three years. In the interim, the house was rented to Louis Vuitton during the America’s Cup, who described it as the perfect spot for hosting their clients as well as providing an elegant living situation for the two full time hosts. Back to Projects page Client Confidential BBA Team Bonnie Bridges Size 3,695 SF Contractor Hughes McGinnis Builders Collaborators Inteiors: Fix Interiors Photography Studio BBA Back to top

  • CHAPEL HILL COFFEE

    SAN FRANCISCO CHAPEL HILL COFFEE SAN FRANCISCO This tiny café is tucked in an alley between Chinatown and the Financial District. Inspired by our client’s love of all things Italian, we emulated the classic espresso bar experience—where folks take time out to relax with neighbors and friends. Finding ingenious ways to maximize the limited space and foster community was top priority. We designed a hydraulically operated pivot window to open the storefront, creating a covered sidewalk area that extends the café outside. From inside, a large, counter height wood table on casters rolls partially out the opening to serve guests on both sides. This project is magical to us as we were able to create it by collaborating with people that we love working with, who understood the budget limits and brought their creativity to the project. And the place just has that magical feel, where you can hang out with the owner and chat about life, bikes, art…and coffee, of course! Materials are a mix of new and reused: steel, ceramic tile and salvaged wood, with restored board-formed concrete walls and old-growth douglas fir floors. We re-wired huge vintage stadium light fixtures to hang above the serving counter, to contrast with the small scale of the space. Heating for the snug interior is provided by the espresso equipment. Back to Projects page Client Chapel Hill Coffee BBA Team Bonnie Bridges Jason Campbell Size 460 SF Contractor Muddy Orange Fabrication Collaborators Fabricator: Kyle Minor Design Photography F. Jason Campbell Back to top

  • LUMOSITY HQ

    SAN FRANCISCO LUMOSITY HQ SAN FRANCISCO Lumosity staff spend their days creating fun brain games to challenge core cognitive areas, such as memory and attention. They chose our absolute favorite Timothy Pflueger building in San Francisco for their headquarters, which has a gorgeous art deco exterior. In homage, we specified divided light windows to reference the building’s patterning, and set a more casual interior tone. With a strong, connected, collaborative culture in place, it was paramount that we create a community feel throughout the three floors of their new, larger offices, to maintain opportunities for employees to cross-pollinate, while looking ahead toward the company’s further growth. The first and second floors contain reception, work stations and small meeting spaces. Modularity drove the work station space planning, creating a rearrange-able puzzle of open desk spaces that can easily accommodate expansion. The uppermost floor is open and used for large meetings and as a lunchroom where the entire company can share a meal, with a bar for weekly happy hours. As you can imagine, this company has the need to use their brains creatively, in order to be in tune with their product. Special areas on this floor include a large collection of board games with space to store and to play, a library that serves as a quiet work area (including secret, rotating bookshelf door), and an area for ping-pong, foosball, and on-screen gaming. Back to Projects page Client Lumosity BBA Team Bonnie Bridges Seth Boor Sarah Fucinaro Anand Sheth Size 36,000 SF Contractor Skyline Construction Collaborators Interiors: Geremia Design Photography Matthew Millman Back to top

  • LITTLE GEM ON GROVE

    GROVE ST, SAN FRANCISCO LITTLE GEM ON GROVE GROVE ST, SAN FRANCISCO The concept for this 75-seat restaurant is casual, tranquil, honest, natural. Raising the bar for quick service food, Little Gem makes responsibly sourced and lovingly prepared cuisine accessible to the casual patron—while inherently omitting gluten, dairy and sugar. After a personal epiphany with the profound benefits of these dietary choices, partner Eric Lilavois, former COO with Thomas Keller Group, recruited former Keller chef Dave Cruz and Wall Street veteran John DeFazio to join him. Little Gem occupies the ground floor corner space in the newly constructed 400 Grove Street building, designed by Fougeron Architecture. To amplify the client’s concept, we chose materials that introduce a sense of natural warmth within the shell of concrete floors, walls, and ceiling. A green, hand-textured plaster wall offers a targeted burst of visual excitement. Maintaining a sense of transparency in food preparation was also critical to expressing the concept, dictating full visibility into the kitchen. Interior planters are placed in areas where the ample daylight streams through the courtyard and street window facades. Exterior, south-facing seating takes advantage of the Hayes Valley sunshine. Back to Projects page Client Little Gem BBA Team Bonnie Bridges Sarah Fucinaro Size 2,000 SF Contractor Architect of Record: Tecta Collaborators Millwork: Creative Cabinets & Design, Inc Photography Nicholas V. Ruiz Back to top

  • STRIPE - CHINA BASIN

    SAN FRANCISCO STRIPE - CHINA BASIN SAN FRANCISCO Casual, human-scaled, residential-style workspaces are key design elements that have shaped the work we have done with Stripe over the last three years – such as their former HQ at the Pioneer Trunk Factory – where the historic timber building played a key role in their aesthetics and culture. Fast forward to 2016, their rapid growth (a unicorn in tech) demanded much larger space. We provided property evaluation services during the long and arduous search, culminating in one of the largest lease deals of the year – 300,000 SF on Townsend Street – in an entitled, but not yet built space that was two years out (had not even broken ground when they signed the lease). Unable to stay at the beloved HQ during this two-year period, they subleased a space at China Basin from the previous tenant, Dropbox HQ – a space we designed in 2013 – for an interim move. Given our insights into Stripe’s culture and the desire to make their interim transition as smooth as possible, they engaged us to re-design Dropbox’s 105,000 SF. We kept many of the well-appointed design elements (solid walnut paneling, copper bars, commercial kitchen) at the same time transforming the context from boastful masculine to gender fluid and achieve a holistic feel with an artful combination of new, old and inherited. To humanize the huge, 85,000 SF 4th floor, we introduced three new thresholds that are abstractions of money – barter, coin, and digital. In addition to the thresholds, we humanized the space by creating residential-scaled nooks and break out spaces for small group collaborations. Via complete architecture and interior design services including programming, FFE and sourcing and curation of art and accessories, we created a Stripe culture. Examples of this include meeting rooms furnished with sofas, armchairs, end tables and lamps, and tactile finishes, new light fixtures and a warm color palette (versus table and chairs, one accent wall and overhead lighting). The artwork for each area is themed with a different animal—yes there’s a skunk and a sloth. And Stripe amiably insisted on bringing the hanging globe sculpture that Studio BBA staff handmade for the former HQ, which now lights their new library. For companies at this stage of rapid growth, there are fundamental design challenges to balance caution and budget-conscious thinking with the founding freedom and energy. We were able to help Stripe make this transition gracefully by using resourceful design strategies to successfully translate their core culture values into an interim space, all within a tight budget and a compressed schedule. To support the future evolution of Stripe’s human centered environment, we implemented a series of Beta tests (to be used in the Townsend space) such as mobile teleconferencing, genius bar for IT support, and circadian rhythm lighting for the open office areas. Back to Projects page Client Stripe BBA Team Bonnie Bridges Anand Sheth Size 105,000 SF Contractor Principal Builders Collaborators Lighting: Hiram Banks Photography Jasper Sanidad Back to top

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Studio BBA   921 Larkin Street   San Francisco CA

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